Being aware of your attitude at the end of your natural inhaling, then of its extended relaxation flowing down to the heels, leads you to the descending convergence of your body with your voice, thus radiating its internal resonance.
Every evening between 8:00PM and 11:00PM for twenty years, I held seminars which led singers to become conscious of their proprioceptive sensations. As soon as they did, I knew they no longer needed my help to access the mechanisms leading to the control of the voice, since they could trigger them at will.
Singing is a natural act that is superimposed on all other bodily activities. To begin this process, we have to take organs whose basic purposes are other than those we intend in singing, and tame them for our purposes. The hallmark of a high degree of mastery is that the spectator will not distinguish between the technical and the musical elements of a performance.
[the teacher points at what should be felt at any specific level]
(…) Then he shows how to achieve it through an imaged way, showing then that there are three dimensions, firstly, the one of the playing artist, on another hand, that of the instrument, and finally that of the sound that emerges when the body gets to resonate.
(adapted by Guy Robert)
The singer, now master of his breath, with his spinal column erect and comfortably seated over the sacrum, will have complete freedom of choice in his interpretation, as he breathes life into his vibrating, resonant body.
Alfred Tomatis, The Ear And The Voice
(translated by Roberta Prada and Pierre Sollier)